RODOLFO SALMERON

These pieces are part of a series that, from the aesthetics of abstraction, invite
us to become absorbed in the sensitive dimension of the territory.

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El viejo de la danza

MAYRA ACOSTA RAMÍREZ

“That is why dance has represented a problem for colonization,
as it is a mode of political resistance or rebellion.
The dancers turn the stage into resistance to domination and a way of combating the absence of original cultures in history.”

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Cenzontle

SEBASTIÁN MONTES DE OCA H.

Cenzontle was reborn to sing and live in freedom.
Like Cenzontle, women have been reborn and in the process have found their voice,
a voice that echoes in the ears of those who seek to silence them.
Fly and sing out loud!

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Trama

DANIELA GUZMÁN

The simple textile fabric that forms around the image is
intended to be an indirect timeline.

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MEMORIAS BORDADAS:

Ofelia y Antelmo.

GABRIELA MARTINEZ ORTIZ

In this project the artist fused her photographs and the textile world. The objective
of the project was to capture different natural places in Mexico in photographs
that would dictate a path of colors and textures represented with embroidery.

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RODOLFO SALMERON

These pieces are part of a series that, from the

aesthetics of abstraction, invite us to become

absorbed in the sensitive dimension of the

territory. The wall, as a border between two

geographies, an internal one of an emotional

nature and the other external, whose nature

remains a mystery because it is related to the

multivocal and unpredictable existence of the

others.

The use of textiles alludes to one's own skin, as

it is a material that by itself refers to the

fibers that form our body, this being our first

territory. A territory that, seen from Latin

America, arises from a slavery, patriarchal and

which is represented as struggle, resistance,

violated heritage, reconstruction and resilience;

concepts analogous to textile processes, such as

sewing, patches, makeshift repairs.